Unveiling the Magic: Exploring "Once Upon a Mattress" at New York City Center

“Once Upon a Mattress” is a musical comedy with music by Mary Rodgers and lyrics by Marshall Barer. The story is based on the fairy tale “The Princess and the Pea” by Hans Christian Andersen. The musical premiered on Broadway in 1959 and was revived in 1996 and 2005. The 2005 revival was performed at the New York City Center from January 24 to February 27, 2005.

The 2005 revival of “Once Upon a Mattress” was directed by Kathleen Marshall and starred Sarah Jessica Parker as Princess Winnifred. The production was nominated for six Tony Awards, including Best Revival of a Musical, and won two, for Best Featured Actress in a Musical (Parker) and Best Choreography (Rob Ashford).

The revival of “Once Upon a Mattress” was a critical and commercial success. It was praised for its humor, charm, and wit, and for Parker’s performance as Princess Winnifred. The production also helped to introduce a new generation of theatergoers to this classic musical comedy.

once upon a mattress, new york city center, january 24

The revival of “Once Upon a Mattress” at the New York City Center in January 2005 was a significant event in the history of musical theater. The production was a critical and commercial success, and it introduced a new generation of theatergoers to this classic musical comedy. Here are ten key aspects of the production:

  • Tony Awards
  • Sarah Jessica Parker
  • Kathleen Marshall
  • Rob Ashford
  • Mary Rodgers
  • Marshall Barer
  • Hans Christian Andersen
  • New York City Center
  • 2005
  • Musical comedy

These aspects are all interconnected and contribute to the overall significance of the production. For example, the Tony Awards are a prestigious recognition of excellence in theater, and the fact that “Once Upon a Mattress” was nominated for six Tony Awards is a testament to the quality of the production. Sarah Jessica Parker is a well-known and respected actress, and her performance as Princess Winnifred was one of the highlights of the production. Kathleen Marshall is a Tony Award-winning director, and her work on “Once Upon a Mattress” was praised for its humor and charm. Rob Ashford is a Tony Award-winning choreographer, and his work on “Once Upon a Mattress” was praised for its energy and wit. Mary Rodgers and Marshall Barer are the Tony Award-winning songwriting team behind “Once Upon a Mattress,” and their songs are some of the most memorable in musical theater history. Hans Christian Andersen is the author of the fairy tale “The Princess and the Pea,” which is the basis for “Once Upon a Mattress.” The New York City Center is a historic theater that has been home to many important productions over the years. 2005 was the year of the revival of “Once Upon a Mattress.” Musical comedy is a genre of theater that combines music, comedy, and dance. “Once Upon a Mattress” is a classic example of musical comedy.

Tony Awards


Tony Awards, New York

The Tony Awards are the most prestigious awards in American theater. They are given annually to recognize excellence in Broadway productions. The Tony Awards were first awarded in 1947, and they have since become one of the most important events in the theater world.

  • Recognition of Excellence

    The Tony Awards are a way to recognize the best and brightest in Broadway theater. They are awarded to actors, actresses, directors, producers, and other theater professionals. The Tony Awards are a way to celebrate the achievements of the theater community and to encourage excellence in the performing arts.

  • Marketing and Promotion

    The Tony Awards are a major marketing and promotional tool for Broadway shows. A Tony Award nomination can help to increase ticket sales and generate buzz for a show. Winning a Tony Award can be a major boost to a show’s success.

  • Economic Impact

    The Tony Awards have a significant economic impact on the Broadway theater industry. The awards generate revenue for Broadway shows, theaters, and other businesses. The Tony Awards also help to attract tourists to New York City.

The Tony Awards are an important part of the Broadway theater industry. They are a way to recognize excellence, promote shows, and generate revenue. The Tony Awards have a significant impact on the theater community and the economy of New York City.

Sarah Jessica Parker


Sarah Jessica Parker, New York

Sarah Jessica Parker is an American actress, producer, and entrepreneur. She is best known for her role as Carrie Bradshaw in the HBO series Sex and the City. Parker has also starred in a number of films, including Honeymoon in Vegas, L.A. Story, and Hocus Pocus. In 2005, Parker starred as Princess Winnifred in the Broadway revival of Once Upon a Mattress at the New York City Center.

Parker’s performance in Once Upon a Mattress was critically acclaimed. She was nominated for a Tony Award for Best Actress in a Musical and won the Drama Desk Award for Outstanding Actress in a Musical. Parker’s performance was praised for its humor, charm, and wit. She brought a new level of energy and excitement to the role of Princess Winnifred.

Parker’s involvement in Once Upon a Mattress was a major factor in the success of the production. Her star power helped to attract audiences to the show. Her performance was also a major reason why the show received such positive reviews. Parker’s involvement in Once Upon a Mattress is a testament to her talent and her commitment to the theater.

Kathleen Marshall


Kathleen Marshall, New York

Kathleen Marshall is a Tony Award-winning director and choreographer. She is known for her work on Broadway musicals, including The Pajama Game, Kiss Me, Kate, and Anything Goes. In 2005, Marshall directed the Broadway revival of Once Upon a Mattress at the New York City Center.

Marshall’s production of Once Upon a Mattress was a critical and commercial success. It was nominated for six Tony Awards, including Best Revival of a Musical, and won two, for Best Featured Actress in a Musical (Sarah Jessica Parker) and Best Choreography (Rob Ashford). Marshall’s direction was praised for its humor, charm, and wit. She brought a new level of energy and excitement to the production.

Marshall’s involvement in Once Upon a Mattress was a major factor in the success of the production. Her experience and expertise helped to create a production that was both entertaining and critically acclaimed. Marshall’s work on Once Upon a Mattress is a testament to her talent and her commitment to the theater.

Rob Ashford


Rob Ashford, New York

Rob Ashford is a Tony Award-winning choreographer and director. He is known for his work on Broadway musicals, including Thoroughly Modern Millie, Curtains, and The Visit. In 2005, Ashford choreographed the Broadway revival of Once Upon a Mattress at the New York City Center.

  • Choreography

    Ashford’s choreography for Once Upon a Mattress was praised for its energy, wit, and charm. He created a number of memorable dance routines for the show, including the “Spanish Panic” and the “Many Moons Ago” ballet. Ashford’s choreography helped to bring the show to life and to create a truly magical experience for audiences.

  • Direction

    In addition to his work as a choreographer, Ashford also served as the associate director for the 2005 Broadway revival of Once Upon a Mattress. He worked closely with director Kathleen Marshall to create a production that was both entertaining and critically acclaimed. Ashford’s experience and expertise helped to ensure that the production was a success.

  • Awards

    Ashford’s work on Once Upon a Mattress was recognized with a Tony Award for Best Choreography. This award is a testament to Ashford’s talent and his commitment to the theater. Ashford’s work on Once Upon a Mattress is a major reason why the production was such a success.

Rob Ashford is a major figure in the world of musical theater. His work on Once Upon a Mattress is a testament to his talent and his commitment to the theater. Ashford’s work helped to create a production that was both entertaining and critically acclaimed.

Mary Rodgers


Mary Rodgers, New York

Mary Rodgers was an American composer, lyricist, and author. She was the daughter of composer Richard Rodgers and the mother of actress and singer Mimi Kennedy. Rodgers wrote the music for the Broadway musical Once Upon a Mattress, which premiered in 1959. The musical was a critical and commercial success, and it has been revived several times, including a 2005 production at the New York City Center.

Rodgers’s music for Once Upon a Mattress is charming, witty, and memorable. The songs include “Many Moons Ago,” “Shy,” and “The Minstrel, the Jester, and I.” Rodgers’s music helped to create a magical and whimsical atmosphere for the production.

Rodgers’s work on Once Upon a Mattress is a major reason why the musical has been so successful. Her music is an essential part of the show’s charm and wit. Rodgers’s work on Once Upon a Mattress is a testament to her talent and her commitment to the theater.

Marshall Barer


Marshall Barer, New York

Marshall Barer was an American playwright, lyricist, and screenwriter. He is best known for his work on the Broadway musical Once Upon a Mattress, which premiered in 1959. Barer wrote the lyrics for the musical, which is based on the fairy tale “The Princess and the Pea” by Hans Christian Andersen. The musical was a critical and commercial success, and it has been revived several times, including a 2005 production at the New York City Center.

  • Lyricist

    Barer’s lyrics for Once Upon a Mattress are witty, clever, and memorable. They help to create the show’s unique and charming atmosphere. Some of the most famous songs from the musical include “Many Moons Ago,” “Shy,” and “The Minstrel, the Jester, and I.”

  • Collaborator

    Barer collaborated with composer Mary Rodgers on the music for Once Upon a Mattress. Rodgers and Barer worked closely together to create a musical that is both entertaining and meaningful. Their collaboration resulted in one of the most successful and beloved musicals of all time.

  • Humorist

    Barer’s lyrics for Once Upon a Mattress are full of humor. He uses wordplay, puns, and clever rhymes to create a show that is both funny and intelligent. Barer’s humor helped to make Once Upon a Mattress a hit with audiences of all ages.

  • Storyteller

    Barer’s lyrics for Once Upon a Mattress tell a charming and heartwarming story. He uses the fairy tale of “The Princess and the Pea” as a jumping-off point to create a new and original story that is both funny and touching. Barer’s storytelling skills helped to make Once Upon a Mattress a classic musical.

Marshall Barer’s work on Once Upon a Mattress is a major reason why the musical has been so successful. His lyrics are witty, clever, and memorable. He collaborated closely with composer Mary Rodgers to create a musical that is both entertaining and meaningful. Barer’s humor and storytelling skills helped to make Once Upon a Mattress a classic musical that continues to be enjoyed by audiences of all ages.

Hans Christian Andersen


Hans Christian Andersen, New York

Hans Christian Andersen was a Danish author and poet. He is best known for his fairy tales, including “The Little Mermaid,” “The Ugly Duckling,” and “The Princess and the Pea.” Andersen’s fairy tales have been translated into more than 100 languages and have been adapted into numerous films, plays, and operas.

The musical Once Upon a Mattress is based on Andersen’s fairy tale “The Princess and the Pea.” The musical tells the story of Princess Winnifred, who must prove her royal lineage by sleeping on a mattress with a pea hidden underneath. The musical was first produced on Broadway in 1959 and has been revived several times, including a 2005 production at the New York City Center.

Andersen’s fairy tales have had a profound impact on Western culture. His stories have been used to teach children about morality, kindness, and courage. Andersen’s fairy tales have also been used to inspire artists, musicians, and writers.

The connection between Hans Christian Andersen and Once Upon a Mattress is significant because it shows how Andersen’s fairy tales continue to be relevant and inspiring today. Once Upon a Mattress is a charming and witty musical that tells a classic story in a new and exciting way. The musical is a testament to the enduring power of Andersen’s fairy tales.

New York City Center


New York City Center, New York

New York City Center is a performing arts center located in the Midtown Manhattan neighborhood of New York City. It was founded in 1943 by Mayor Fiorello LaGuardia and is dedicated to presenting a wide variety of performing arts, including theater, dance, and music. The New York City Center has been the home to many notable productions over the years, including the original production of Rodgers and Hammerstein’s Oklahoma!.

  • History

    The New York City Center was founded in 1943 by Mayor Fiorello LaGuardia. The center was originally located in the old Mecca Temple building on West 55th Street. In 1964, the New York City Center moved to its current location at 131 West 55th Street.

  • Architecture

    The New York City Center is a beautiful Art Deco building. The building was designed by architects Harrison & Abramovitz. The building is decorated with murals by artist Edward Hopper.

  • Programming

    The New York City Center presents a wide variety of performing arts, including theater, dance, and music. The center has two theaters: the Mainstage and the Studio 5. The Mainstage is a large theater with a capacity of 2,750 seats. The Studio 5 is a smaller theater with a capacity of 500 seats.

  • Education

    The New York City Center offers a variety of educational programs, including workshops, master classes, and lectures. The center also has a youth education program that provides free and low-cost tickets to students.

The New York City Center is a vital part of the New York City arts scene. The center provides a home for a wide variety of performing arts and offers educational programs that help to the next generation of artists.

2005


2005, New York

The year 2005 holds significance in relation to “once upon a mattress, new york city center, january 24” due to the revival of the musical Once Upon a Mattress at the New York City Center on January 24, 2005. This revival played a pivotal role in reintroducing the classic musical to a new generation of theatergoers.

  • Critical Acclaim and Awards Recognition

    The 2005 revival of Once Upon a Mattress received widespread critical acclaim, earning Tony Award nominations for Best Revival of a Musical and Best Actress in a Musical (Sarah Jessica Parker). This recognition highlighted the exceptional quality of the production and its successful reinterpretation of the classic musical.

  • Star Power and Audience Engagement

    Sarah Jessica Parker’s involvement as Princess Winnifred in the 2005 revival significantly contributed to the production’s success. Her star power and popularity drew considerable attention to the show, attracting a broader audience and generating excitement around the revival.

  • Creative Team and Artistic Vision

    The 2005 revival of Once Upon a Mattress showcased the talents of a renowned creative team, including Kathleen Marshall (director), Rob Ashford (choreographer), and Mary Rodgers (composer). Their collective vision and artistic expertise resulted in a fresh and captivating production that resonated with audiences.

  • Cultural and Historical Significance

    The revival of Once Upon a Mattress in 2005 marked a significant moment in the history of musical theater. The production’s success demonstrated the enduring appeal of classic musicals and the ability of revivals to reinvigorate and reintroduce these works to contemporary audiences.

In summary, the year 2005 played a crucial role in the context of “once upon a mattress, new york city center, january 24” due to the critically acclaimed and commercially successful revival of the musical Once Upon a Mattress. This revival showcased the enduring power of classic musicals, the significance of star power, and the impact of a talented creative team in shaping a successful theatrical production.

Musical comedy


Musical Comedy, New York

Musical comedy, a genre that seamlessly blends music, comedy, and dance, holds a significant connection to “once upon a mattress, new york city center, january 24.” This production, a revival of the classic musical Once Upon a Mattress, exemplifies the key elements and enduring appeal of musical comedy.

  • Storytelling through Song and Dance

    Musical comedy distinguishes itself by narrating stories primarily through song and dance. In “once upon a mattress, new york city center, january 24,” the plot unfolds through catchy tunes like “Many Moons Ago” and energetic dance numbers, creating a dynamic and engaging storytelling experience.

  • Humor and Satire

    Musical comedy often infuses humor and satire into its narratives. Once Upon a Mattress is no exception, playfully satirizing fairy tale tropes and societal norms. The witty lyrics and comedic performances add a layer of entertainment, making the production both amusing and thought-provoking.

  • Memorable Characters and Relationships

    Musical comedy thrives on creating memorable characters and exploring their relationships. Once Upon a Mattress features a cast of eccentric characters, including Princess Winnifred, Prince Dauntless, and Queen Aggravain. Their interactions and romantic entanglements drive the plot and provide emotional depth to the production.

  • Theatrical Spectacle

    Musical comedy often involves elaborate sets, costumes, and lighting, creating a visually stunning spectacle. “once upon a mattress, new york city center, january 24” showcased the grandeur of musical theater, transporting audiences to the whimsical world of the production.

In conclusion, “once upon a mattress, new york city center, january 24” serves as a testament to the enduring appeal of musical comedy. This production exemplifies the genre’s ability to captivate audiences with its storytelling through song and dance, humor, memorable characters, and visual spectacle.

FAQs about “once upon a mattress, new york city center, january 24”

This section provides answers to frequently asked questions regarding the revival of the musical Once Upon a Mattress at the New York City Center on January 24, 2005.

Question 1: What is the significance of this particular production?

The 2005 revival of Once Upon a Mattress holds significance due to its critical acclaim, commercial success, and its role in reintroducing the classic musical to a new generation of theatergoers. It received Tony Award nominations and showcased the talents of renowned artists, making it a notable production in the history of musical theater.

Question 2: Who were the key creative figures behind this revival?

The revival was directed by Kathleen Marshall, choreographed by Rob Ashford, and starred Sarah Jessica Parker as Princess Winnifred. The creative team’s vision and expertise contributed significantly to the production’s success.

Question 3: What factors contributed to the revival’s popularity?

The revival’s popularity can be attributed to several factors, including Sarah Jessica Parker’s star power, the timeless appeal of the musical’s story and score, and the production’s high quality and entertainment value.

Question 4: How did the revival compare to the original production?

While staying true to the original musical’s spirit and charm, the 2005 revival introduced fresh interpretations and artistic choices. It featured updated staging, choreography, and scenic design, reflecting contemporary sensibilities while honoring the classic work.

Question 5: What impact did the revival have on the musical theater landscape?

The revival’s success demonstrated the enduring popularity of classic musicals and the ability of revivals to breathe new life into beloved works. It also showcased the talents of a new generation of theater artists and contributed to the vitality of the musical theater art form.

Question 6: Where can I find more information about this production?

Additional information about the 2005 revival of Once Upon a Mattress at the New York City Center can be found in theater archives, online databases, and publications dedicated to musical theater history and criticism.

In summary, the revival of Once Upon a Mattress in 2005 was a significant event in the world of musical theater. It showcased the enduring appeal of classic musicals, the importance of artistic vision, and the impact of talented creative teams. The production left a lasting impression on audiences and contributed to the continued legacy of this beloved musical.

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Tips Inspired by “once upon a mattress, new york city center, january 24”

The revival of the musical Once Upon a Mattress at the New York City Center on January 24, 2005, offers valuable lessons that can be applied to various aspects of life and work. Here are five insightful tips derived from this significant production:

Tip 1: Embrace Originality and Fresh Interpretations

The 2005 revival of Once Upon a Mattress demonstrated the power of presenting classic works with a fresh perspective. While honoring the original, the production introduced innovative staging, choreography, and scenic design, creating a unique and engaging experience for audiences.

Tip 2: Foster Collaboration and Artistic Synergy

The success of the revival showcased the importance of collaboration among talented artists. Director Kathleen Marshall, choreographer Rob Ashford, and star Sarah Jessica Parker worked seamlessly together, bringing their individual expertise and vision to create a cohesive and captivating production.

Tip 3: Pay Attention to Details and Execution

Every aspect of the revival, from the elaborate sets to the witty dialogue, was meticulously crafted and executed with precision. This attention to detail contributed to the overall quality and polish of the production, enhancing the audience’s enjoyment and appreciation.

Tip 4: Embrace Humor and Lightheartedness

Despite its timeless themes, Once Upon a Mattress is fundamentally a comedy. The revival captured the play’s humor and lightheartedness, providing audiences with a delightful and entertaining experience. This reminds us of the importance of finding joy and laughter in our endeavors.

Tip 5: Reimagine and Reintroduce Classics

The revival of Once Upon a Mattress proved that classic works can be successfully reimagined and reintroduced to new generations. This highlights the enduring power of storytelling and the value of revisiting and reinterpreting beloved classics to ensure their continued relevance and enjoyment.

In conclusion, the revival of Once Upon a Mattress at the New York City Center in 2005 serves as a valuable source of inspiration and practical tips. By embracing originality, fostering collaboration, paying attention to detail, embracing humor, and reimagining classics, we can enhance our creative efforts, bring joy to others, and contribute to the preservation and evolution of artistic works.

Conclusion

The exploration of “once upon a mattress, new york city center, january 24” has illuminated the significance of this critically acclaimed and commercially successful revival of the classic musical, Once Upon a Mattress.

This production showcased the enduring appeal of musical comedy, the importance of artistic vision and collaboration, and the impact of talented creative teams. It also highlighted the power of reimagining and reintroducing classic works, ensuring their continued relevance and enjoyment by new generations.

The lessons derived from this production serve as valuable reminders to embrace originality, foster collaboration, pay attention to detail, embrace humor, and reimagine classics in our own endeavors. By doing so, we can contribute to the vitality and evolution of artistic expression, bringing joy, entertainment, and thought-provoking experiences to audiences worldwide.

By Alan